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Buried Alive 2007 NEW! Full Movie 11

Laura returns with Lester's truck and the woman is about to slaughter Laura, but disappears after seeing a tattoo that's similar to the necklace Rene had throughout the movie. Laura escapes, while Rene and Zane wake to find themselves in some kind of box. The old woman quickly grabs the necklace and drops the gold ring taken by the caretaker in the beginning of the movie. Rene and Zane scream in fear as the old woman buries them alive.

buried alive 2007 full movie 11

Jackson told authorities he saw the couple being buried alive and heard Carol Sumner moaning inside the pre-dug grave in a remote area of Charlton County, Ga., near the Florida line. He said he did not try to stop the slayings because he was afraid he would be next.

The Baptist minister complained he was unable to sleep and felt the sensation of being buried alive. \"He was scared to be alone, he had nightmares,\" Graham said. \"(He) thought he was falling in a hole.\"

"I Love You Phillip Morris" (R, 98 minutes) Jim Carrey in the true life story of outrageous con man Steven Russell, who impersonated doctors, lawyers, FBI agents, and corporate executives. He convinced prison officials he had died of AIDS, successfully faked a heart attack, and escaped from jail four times (hint: always on Friday the 13th). Ewan McGregor plays his cellmate Phillip Morris, who Steven falls in love with. Thereafter his life consists of trying to get Steven out of jail, or trying to escape to be with him. Audacious. Jim Carrey's mercurial personality was almost necessary to even make this movie. Three and a half stars

"Buried" (R, 93 minutes). Paul Conroy (Ryan Reynolds) is a truck driver working for a private contractor in Iraq. He comes to consciousness in blackness. He feels around and finds a lighter. It its flame his worst fears are realized. He has been kidnapped, buried alive, and is a hostage. Taking place entirely within the coffin, this is a superior suspense picture that's ingenious in devising plausible events inside the limited space. Three and a half stars.

"Please Give" (R, 91 minutes). Catherine Keener and Oliver Platt play a Manhattan couple who have a daughter and run an antique store and live next to a mean-tempered old lady (Ann Morgan Guilbert) . When she dies, they can buy her apartment. The old lady has two granddaughters, played by Rebecca Hall and Amanda Peet. When the couple invites everyone over for dinner, events are set in motion that are true, funny, and ruefully observant. Writer-director Nicole Holofcener is so perceptive about women whose lives are not defined by men; that's rare in the movies. Three and a half stars

Of course, as with most forms of killing the hero that favor cruelty over efficiency, the hero manages to dig their way out, or a sidekick will pop out of the bushes and dig him up the moment the villain leaves. The exception to that comes when the hero blows up an ancient building or tomb while the villain remains inside. If the bad guy survives the blast and falling debris, he is technically buried alive. Usually this is a Sealed Evil in a Can situation. Another exception is when the villain has already done the same kind of thing to the hero or one of his friends, in which case it can be a form of Karmic Death.

Very popular because it really does touch on something that just creeps the living hell out of people. Claustrophobia is widespread, and the specific fear of being buried alive is just slightly less so.

On October 10, 1957, Windscale became the site of the worst nuclear accident in British history, and the worst in the world until Three Mile Island 22 years later. A facility had been built there to produce plutonium, but when the US successfully designed a nuclear bomb that used tritium, the facility was used to produce it for the UK. However, this required running the reactor at a higher temperature than its design could sustain, and it eventually caught fire. Operators at first worried that extinguishing the flames with water would cause a hydrogen explosion, but ultimately gave in and did so as the crisis escalated. It worked, but not before a sizeable amount of radiation had been unleashed into the surrounding area. A 2007 studyestimated that the incident had led to over 200 cases of cancer in the surrounding population.

One of a slew of Edgar Allen Poe adaptations released in the late 1980s/early 1990s by cheapo producer Harry Alan Towers, which also included THE HOUSE OF USHER and THE PIT AND THE PENDULUM. To be kind, we could have done without these films but they did offer something in the way of atmosphere and also included ageing movie stars overacting as madmen (Oliver Reed, Donald Pleasence, Robert Vaughn to name but three). This one was filmed in South Africa (due to budget costs perhaps?) and is not based on any one Poe story, instead using devices such as bricking up alive and burying alive (really?) from some of the author's stories. BURIED ALIVE is actually not that bad, and it passes the time amiably enough, with occasional flashes of inspiration. However the film is lifted by a single factor which I'll discuss later. Firstly, though, the bad points.The film is incredibly clichéd. Most of the deaths are standard slasher fare - trowel in the head (remember NIGHT OF THE LIVING DEAD folks? It was innovative there, not here.), a girl getting her hair torn out by a blow dryer gone mad. The main actors in BURIED ALIVE are a group of high school girls, and let's just say that these girls are not the best of actors. All have big '80s hair, all are incredibly obnoxious and seem to have been chosen for their ability to stand around in revealing clothes rather than any depth or insight for their roles. I don't know but I'm pretty much sick and tired of seeing obnoxious American teenagers like these who seem to permeate every single horror film of the 1980s and 1990s. The main heroine too is a peroxide blonde who is annoyingly bubble headed and screams a lot. I find this kind of portrayal sexist and hey, I'm not even a girl! However bad the acting on show here, it's countered by enlivened performances from three stars whose names should mean something even to those who are not horror fans: these are John Carradine, Donald Pleasence and Robert Vaughn. Carradine has only a tiny role as a wheelchair bound, long haired psycho but he's pretty effective in a lunatic, giggling madly kind of way. Interestingly this was Carradine's last performance in a film before he died of natural causes, the film is dedicated to his memory accordingly. Also on hand we have Donald Pleasence, another actor nearing the end of his career. While his performance isn't as over the top as in THE HOUSE OF USHER, he's pretty cool as a weirdo doctor bloke who wears a spooky toupee and eats from a bag of sweets all the time. In fact his role is a lot of fun and he is his usual creepy self. However Carradine and Pleasence have relatively minor roles whereas the brunt of the overacting lies on Robert Vaughn, the Man from UNCLE himself! Although Vaughn starts off as a dignified scientist, by the end he is an axe wielding maniac! Yes, this is the only film which has the dubious distinction of Robert Vaughn running amok with an axe. And it certainly is a sight to see.Apart from Vaughn's frenzied performance, there is a palpable air of Gothic menace hinted at in a few scenes (although not nearly enough), especially in the dungeons below the school. The nightmare scenes with the bulging wall are also good, the special effects here are tremendous. Ants feature prominently in the horrific areas, and they do pretty much make your spine tingle, I hate insects and their use here is an effective one, creating real feelings of repulsion. There is an excellent scene where two dead characters are buried with only their heads showing, and Janet finds the rotted heads crawling with ants! Another classroom scene is not for the squeamish and involves sheep's eyeballs and yep, you guessed it, more ants. Altogether this film is quite average and nothing special, yet it's not as bad as it could have been and it is elevated by Robert Vaughn's hysterical performance.

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